This article is from page 53 of the 2011-02-22 edition of The Clare People. OCR mistakes are to be expected so download the original SWF or the rendered page 53 JPG
THERE’S a line of traffic up College Road towards the imposing old convent building that stands sentinel over what could be described as the leafy Ennis suburb just after you cross the Rhine into the Lifford are of Ennis.
Erasmus House dates from the 1770s and was originally a private residence before became a convent, but more recently housed both Maoin Cheoil and Chláir and the Ennis Language School.
In their own way both the Maoin Cheoil and language school hit at the source of all the activity. There’s both music and language, albeit it’s more England than Ennis, cockney not Clare.
Adults and children alike snake around the back of the building to a small church hall that’s hidden away. And, in a way it’s appropriate that this is the new rehearsal venue for the society – an old religious house for the society that came to Ennis thanks to the oldest established residents in Ennis, the Franciscans.
It was in 1953 that the society, then called the ‘Friary Choral’ under the direction of Fr Eunan had its maiden voyage with ‘The Country Girl’ in the New Hall on Station Road.
It was six more years before the society set sail again with the production of ‘Wild Violets’, but since then the Ennis Musical Society has become one of the staples of the performing arts in Ennis and wider Clare.
And the last 50-plus years reads like an eclectic what’s what of the genre – ‘Calamity Jane’, ‘My Fair Lady’, ‘La Belle Helene’, ‘Orpheus in the Underworld’, ‘Fiddler on the Roof’ and many more.
This year it’s ‘Oliver’. Bill Sikes stomps on stage; the Dodger dances; Fagin figures his next move; Oliver sits at the workhouse table, takes his deepest breath and plucks up the courage from somewhere to say he wants more.
Anyone who saw Carol Reed’s film starring Ron Moody, Oliver Reed and Mark Lester – we all did as a rite of passage – knows the lines by heart, simply by opening the trapdoor of the mind.
‘Oliver, Oliver, never before has a boy wanted more…..’
Yes, Charles Dickens’ victorian classic has always been a winner with the crowds – makes it long over due another ride on the Ennis Musical Society’s carousel. “Oliver never loses its appeal,” says society chairman Jonathon Hopper, “and it’s great to put it on again,” he adds trawling through the online archives to when it was last brought to an Ennis stage.
It was 1990 when the Ennis Musical Society contended for the industry’s Oscars – the Association of Irish Musical Societies awards – when Cecil McDonagh was runner-up in the Best Actor category and Padraig O’Reilly was runner-up in the Supporting Actor role.
“This year we decided we wanted to have something that had children involved,” said musical society chairperson Jonathon Hopper. “The kids loved being involved in shows and ‘Oliver’ is just one of the classic shows that’s brilliant for children. The response we got was absolutely brilliant. We had 80 children audition. Beforehand we were slightly worried whether we’d have enough children turn up. We needed 20 but got 80. People want to see ‘Oliver’ and the kids want to be involved with it. It’s as popular as ever.”
The work on the 2011 production is almost done with now. The sets are built, costumes made, rehearsals ramped up in frequency over the last while as everyone involved close in on showtime in Glór from March 8 to 12.
“It’s a big undertaking every year,” says Hopper, “but a big budget needed to bring everything together, so there’s fundraising involved, people helping out with the sets and the background stuff. There are a lot of people involved and I’d say that the musical society is a family.
“I’m Australian and I decided to come to do the Europe thing for a year and I came to Ireland. I’ve been five years. I was around town, wondering what I’d get involved in and I had the idea ‘what about getting involved in musicals’.
“I had done some in high school. I was working in Shannon at the time and a friend was telling me he was involved in a musical and I said to myself ‘I can do that’. I just turned up and got involved and have been involved ever since.
“It has had a huge impact on myself. I would say that almost everyone I know in Ennis is someone I know through the musical society. To be honest it’s one of the reasons why I ended up staying in the country. It’s a huge part of my life.”
The society itself has been a huge part of Ennis life for countless generations of performers.
Expected Glór to be play to full houses between March 8 and 12.